He was cerebral, judgmental, meaning-oriented oriented rather than experience-oriented in his approach to fiction. He had no impulse merely to represent life in its variety, an impulse that, like the urge to chronology, can sustain a fiction writer when all else fails. Crucially influenced in the late 1940s by Kenneth Burke and Stanley Edgar Hyman, Ellison embraced the myth and symbol school of criticism as a program for generating fiction. Idolizing Joyce and T. S. Eliot as well as Hemingway, he seems to have thought that the power of Ulysses and The Waste Land came from their mythic substrata and that if he could summon up mythic resonances, readers would respond. Thus he was deeply upset when a young scholar got the name of one of his characters wrong.
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